Describe how the body becomes sculptural in performance art.
The introduction of humans into the space of art suggested to some artists that their own bodies , or the bodies of others, could have a sculptural presence in a given space. How does the body alter the experience of space in both Zhang Huan’s To Raise the Water Level in a Fish Pond and in Abramovic and Ulay’s Imponderabilia? In what ways does Abramovic explore the vulnerability of the body in her other work?