What details does saknussemm use to sketch in millers traits

What details does saknussemm use to sketch in millers traits/ English

THINKING CRITICALLY about “Phantom Limb Pain”

Perhaps the first thing the reader realizes about Saknussemm’s narrative is that the climactic event-one boy helping another climb down a Cyclone fence-is a small action; however, it has a big psychological and emotional meaning for the narrator. The events leading to this moment have prepared us to understand the writer’s revelation of his new relationship to his rival. Saknussemm’s last para-graph comments on the preceding narrative, making connections and pulling out threads of meaning.

1. Saknussemm chooses to leave a lot unsaid, depending on his readers to fill in the gaps. Why do you suppose that he had never been inside Miller King’s house before? Why does he feel “somehow responsible for the accident”? What details does Saknussemm use to sketch in Miller’s admirable traits?

2. What examples can you find in this narrative of revelatory words, memory-soaked words, and other concrete words low on the ladder of abstraction? Where does Saknussemm use words that show what is happening in the narrative instead of simply telling readers?

Kris Saknussemm

Phantom Limb Pain

1. When I was thirteen my sole purpose was to shed my baby fat and become the star halfback on our football team. That meant beating out Miller King, the best athlete at my school. He was my neighbor and that mythic kid we all know-the one who’s forever better than we are-the person we want to be.

2. Football practice started in September and all summer long I worked out. I or¬dered a set of barbells that came with complimentary brochures with titles like “How to Develop a He-Man Voice.” Every morning before sunrise I lumbered around our neighborhood wearing ankle weights loaded with sand. I taught myself how to do Marine push-ups and carried my football everywhere so I’d learn not to fumble. But that wasn’t enough. I performed a ceremony. During a full moon, I burned my favorite NFL trading cards and an Aurora model of the great quarterback Johnny Unitas in the walnut orchard behind our house, where Miller and I’d gotten into a fight when we were seven and I’d burst into tears before he even hit me.

3. Two days after my ceremony, Miller snuck out on his older brother’s Suzuki and was struck by a car. He lost his right arm, just below the elbow. I went to see him the day after football practice started-after he’d come back from the hospital. He looked pale and surprised, but he didn’t cry. It was hard to look at the stump of limb where his arm had been, so I kept glancing around his room. We only lived about 200 feet away, and yet I’d never been inside his house before. It had never occurred to me that he would also have on his wall a poster of Raquel Welch from One Million Years B.C.

4. I went on to break all his records that year. Miller watched the home games from the bench, wearing his jersey with the sleeve pinned shut. We went 10-1 and I was named MVP, but I was haunted by crazy dreams in which I was somehow responsible for the accident-that I’d found the mangled limb when it could’ve been sewn back on-and kept it in an aquarium full of vodka under my bed.

5. One afternoon several months later, toward the end of basketball season, I was crossing the field to go home and I saw Miller stuck going over the Cyclone fence-which wasn’t hard to climb if you had both arms. I guess he’d gotten tired of walking around and hoped no one was looking. Or maybe it was a matter of pride. I’m sure I Was the last person in the world he wanted to see–to have to accept assistance from. But even that challenge he accepted. I helped ease him down the fence, one diamond-shaped hole at a time. When we were finally safe on the other side, he said to me, “You know, I didn’t tell you this during the season, but you did all right. Thanks for filling in for me.”

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