Order Description
Text: David Willoughby, The World of Music 7th Edition, McGraw-Hill To answer these questions please refer to this textbook .Please answer these questions in order 1,2,3 and so on. these are multiple choice questions.
1) Question 1 1 pts
What are the three basic musical textures?
Monophonic, Polyphonic, Homophonic
Monophonic, Heterophonic, Homophonic
Monophonic, Polyphonic, Supersonic
Monophonic, Homophonic, Telephonic
2)Question 2 1 pts
Where was Gregorian chant performed and who composed it?
Gregorian chant was composed and performed by Mormon monks in monasteries.
Gregorian chant was composed and performed by Catholic monks in masonic temples.
Gregorian chant was composed and performed by Chinese monks in monasteries.
Gregorian chant was composed and performed by Catholic monks in monasteries.
3)Question 3 1 pts
Which texture best describes the sound of Gregorian chant?
Polyphonic
Homophonic
Monophonic
Supersonic
4)Question 4 1 pts
In what language was chant typically performed during the middle ages?
French
Italian
Spanish
LatThe Renaissance began about 100 years after the invention of the printing press.
True
False
5)The Renaissance began about 100 years after the invention of the printing press.
True
False
6)Johannes Gutenberg is known for inventing the cotton gin.
False
True
7)Question 7 1 pts
What is the main difference between the motet and madrigal?
A motet is a sacred composition while a madrigal is religious.
A motet is a sacred composition while a madrigal is secular.
A motet is a secular composition while a madrigal is sacred
A motet is a secular composition while a madrigal is not religious
8)Question 8 1 pts
Which of the following is not a common instrument from the Renaissance.
Sackbut
Clarinet
Lute
Recorder
9)Question 9 2 pts
In 1517, the Christian church split into Catholicism and Protestantism. How did Protestant music differ from Catholic?
Protestant music in the 16th century was usually improvised by the congregation.
Protestant music in the 16th century was composed in such a way that excluded congregational participation. Psalms were often used as the basis for masses.
Protestant music in the 16th century was composed in such a way that the congregation could participate in performing it. Psalms were often used as the basis for chorales.
Protestant music in the 16th century was usually composed by the congregation.
