Write a assignment on Psychological
You will write a 4 – 5 page, double-spaced reflection/response paper to the text. Your paper will need to draw from a minimum of one reading per section (listed below). Your paper should clearly denote which reading from which section you are responding (e.g. Ch 3, Ch 8, Ch. 11). The goal of this paper is more than just a reflection, but also you will need to attempt to connect these readings to the concepts and discussions we have had in class throughout the quarter (connecting to the textbook – The Psychology of Women).
This is predominately reflective. This is not about “getting something” or making a connection. Or even understanding fully. But rather a documentation of your process and thinking about the text. I want you to draw connections, but you do not need to do so in every section. But you should at minimum try to draw connections between the WWRW text and connect them (see reference) to The Psychology of Women textbook, or other media/activities in class. You must use APA citations. The goal of this portion of the project is for you to be able to connect Jungian/culture psychology of women to traditional academic psychology of women.
Don’t worry. We will continue to talk more about this in the upcoming two weeks. This is just to get you started on thinking about which chapters stand out to you for one reason or another.
Section One
INTRODUCTION: SINGING OVER THE BONES (1- 22)
1 THE HOWL: RESURRECTION OF THE WILD WOMAN (23-37)
o La Loba, The Wolf Woman
o The Four Rabbinim
2 STALKING THE INTRUDER: THE BEGINNING INITIATION (38 – 75)
o Bluebeard
3 NOSING OUT THE FACTS: THE RETRIEVAL OF INTUITION (76 – 82; not full chapter)
o The Doll in Her Pocket: Vassalisa the Wise
6 FINDING ONE’S PACK: BELONGING AS BLESSING (177 – 212)
o The Ugly Duckling
o The Mistaken Zygote
Section Two
7 JOYOUS BODY: THE WILD FLESH (213 – 229)
o La Mariposa, Butterfly Woman
8 SELF-PRESERVATION: IDENTIFYING LEG TRAPS, CAGES AND POISON BAIT (230 – 240; not full chapter)
o The Ferral Woman
10 CLEAR WATER: NOURISHING THE CREATIVE LIFE (345 – 361; not full chapter)
o The Little Match Girl (345 – 355)
o The Three Gold Hairs (355 – 361)
Section Three
11 HEAT: RETRIEVING A SACRED SEXUALITY (362-374)
12 MARKING TERRITORY: THE BOUNDARIES OF RAGE AND FORGIVENESS (375 – 403)
13 BATTLE SCARS: MEMBERSHIP IN TH SCAR CLAN (404 – 417)
Part 2
for this second section of the paper, you will write about a 4-5 page, double spaced application and analysis of your own story selection outside of the text. This story can be anything that has a central female character. Your job is to decipher what the feminine is and what it means to be a woman as told through the tale
within the paper, I do not want the entire tale,story,etc that you chose to analyze, but instead you will be referencing it through your discussion and providing quotes, paragraphs, paraphrasing to support your analysis and discussion.
I DO want a copy of whatever story (in full) you chose. This will be attached t the END of the paper. If it is an online source, you will provide me with a link for that source. If it is a Disney movie, you will want to find the writing version of the tale. For example, if you chose to write on Snow White, you would need to locate a write version of the tale.
Clearly articulate the qualities of feminine or woman taht the tale/story/etc. suggests. Similar to how Estes’ divided her sections into different parts, I want you to do that same. You must have at least four different sections – that is , four different aspects of the feminine or being fenake as reoresented by the sroty/tale/etc. As such, you should have four clearly labeled sections within this second part of the paper.
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